Expertise (8)
Danny in a few words
I have over a decade of experience in sound design, audio editing, audio mixing and (award-nominated) composition for short films, promos, corporate, animation, podcasts, theatre and museum installations. Proficient with Steinberg Nuendo audio software and Izotope RX restoration software.
Selected credits:
Sony Pictures (sound design, composition, sound recording, mixing)
ITN Productions (mixing)
Channel 4 (mixing)
Land Rover (sound design, sound recording, mixing)
Jaguar (sound design, sound recording, mixing)
Rolls Royce (musical arrangement)
Under Armour (composition)
AEG (composition, sound design, mixing)
Amazon (sound design, mixing)
The Financial Times (sound design, composition, mixing)
Greenpeace (sound design, mixing)
Brompton (sound design, composition, mixing)
Geri Halliwell / SBX Studios (mixing)
Chevy (sound design, mixing)
The Guardian (mixing, sound design)
The ParaPod Movie (sound recording, sound design, composition)
Hugo Boss / Anthony Joshua (mixing)
Plenish (sound design)
Kent University (sound design, mixing)
Falmouth University (sound design, mixing)
Marks & Spencer (sound design, mixing)
Natwest (sound design, mixing)
Hitachi (sound design, mixing)
Sales Force (sound design, mixing)
Capital One (sound design, composition, mixing)
The Glee Club (sound design, sound recording, mixing)
National Grid (sound design, mixing)
The Calais Sessions (sound design, composition, sound recording, mixing)
Booking.com (mixing)
ENOC (sound design, mixing)
Royal Birmingham Conservatoire (studio manager, editor, sound recordist)
3M (mixing)
Selected credits:
Sony Pictures (sound design, composition, sound recording, mixing)
ITN Productions (mixing)
Channel 4 (mixing)
Land Rover (sound design, sound recording, mixing)
Jaguar (sound design, sound recording, mixing)
Rolls Royce (musical arrangement)
Under Armour (composition)
AEG (composition, sound design, mixing)
Amazon (sound design, mixing)
The Financial Times (sound design, composition, mixing)
Greenpeace (sound design, mixing)
Brompton (sound design, composition, mixing)
Geri Halliwell / SBX Studios (mixing)
Chevy (sound design, mixing)
The Guardian (mixing, sound design)
The ParaPod Movie (sound recording, sound design, composition)
Hugo Boss / Anthony Joshua (mixing)
Plenish (sound design)
Kent University (sound design, mixing)
Falmouth University (sound design, mixing)
Marks & Spencer (sound design, mixing)
Natwest (sound design, mixing)
Hitachi (sound design, mixing)
Sales Force (sound design, mixing)
Capital One (sound design, composition, mixing)
The Glee Club (sound design, sound recording, mixing)
National Grid (sound design, mixing)
The Calais Sessions (sound design, composition, sound recording, mixing)
Booking.com (mixing)
ENOC (sound design, mixing)
Royal Birmingham Conservatoire (studio manager, editor, sound recordist)
3M (mixing)
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Experience
- GoogleCEOSOFTWARE PUBLISHING
Menlo Park, CA, USA
September 1998 - Today 25 yearsIf I had to sum up my life up to this point, I'd say it's been one heck of a ride...
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1 recommendation
TP
Teddy Powell recommend Danny
5/23/2023
Danny's work on this series transformed the whole dynamic of the project, elevating it, making it really gripping. We wanted audiences to feel like they were somehow 'in' the mix and the sound design and mixing that Danny did made everythign more tangible and textural throughout.
The great thing about Danny is we can go to him with a very specific idea of what we want, or we can give him a general brief and let him run wild with it - we'd trust him with any project at any level.
The great thing about Danny is we can go to him with a very specific idea of what we want, or we can give him a general brief and let him run wild with it - we'd trust him with any project at any level.